kate is in nyc!



I heart David Hyde Pierce. He is a wonderful actor, and in his current Broadway offering, CURTAINS, he hits his stride as a police investigator obsessed with show business. The final project of Kander & Ebb, CURTAINS is a backstage murder mystery taking place in an out-of-town tryout for a Broadway-bound show in Boston. Moments after taking a bow opening night, the leading lady drops dead of poison. Who did it? Why did they do it? Enter David Hyde Pierce to investigate. Everyone is a suspect including the wife of the producer (the fabulous Debra Monk), the obnoxious director (Edward Hibbert), the lyricist (Karen Ziemba), the understudy (Jill Paice), and everyone in the ensemble. The theatre is put on lock down during the investigation, and the producers decide to use this forced time together to fix the show. This show is not ground-breaking or life-changing. However, it is a lot of fun, and a great show to take the parents to. Special kudos to the incredible ensemble who dance up a storm. It was exhausting just watching them. Will I see it again? Probably not, but it sure was fun to watch.
On Sunday afternoon, the Slack clan completed their orgy of Broadway by attending WICKED. My parents and Godmother had never seen it, so off we went. The performance was fine. I think perhaps having seen this show twice before, I have gotten out of the show everything that I could. The cast was fine, not spectacular, but fine, the staging was good, the moment Elphaba flies was still well done, and there were lots of funny parts. The thing that I mostly took out of the show is how annoying it is that theatres now allow people to bring snacks into the theatre. Behind us sat three teenagers who ate their way through the entire second act. At a certain point, we all just had to laugh about it because it was so annoying. Seriously, they ate potato chips, candy, drank soda...it was like being it a movie, except that our tickets were ten times more expensive. Call me a cheap Midwesterner, but having spent $450 on four tickets, I would prefer to listen to the performers without the sound of Pringles in the background.
Last night, I headed back to the theatre district to see THE PIRATE QUEEN, the latest offering of the minds behind LES MIS and MISS SAIGON. Truth be told, this show has not received great reviews, and I had purchased an orchestra seat for $35. So, I went to the show hoping for the best....and somewhat prepared for the worst. Um....well....it wasn't great. The thing is, there are some great moments, and some incredibly talented performers, but the show never seems to gel together. Stephanie J. Block and Hadley Fraser star as the lovers, and are the strongest in the cast. Both excellent singers, they seem so comfortable with one another, and with the material, they both rise high above this somewhat mediocre material. Queen Elizabeth, played by Linda Balgord has some wonderful, humorous moments, but overall, I felt that her parts of the show just didn't work. On paper, how they show was developed worked. When in Ireland, the music was very lush and earthy, and some of the singers sang in the Celtic tradition, or sang in the "normal" belty musical theatre style. When the action switched to England, and the Queen's court, the music was suddenly Baroque, and the singing was done very classically. (Now, I am a classical singer, so in many ways this made me super happy!) The idea, I think, was to show the two styles battling it out. Instead, they just seemed to clash with one another, and the classical parts just interrupted the lushness of the belting. (I can't believe I just said that.) At any rate, the show never came together, and I found myself growing bored and restless. Now, a couple of the Producers had previously produced Riverdance, so, there was lots of Irish dancing which was fun.
Tomorrow, Richard and I are going to try and take in SHREK 3. That should be fun.
At any rate, it was so good to have them here. Oh, and we had an incredible bonus. While channel-surfing on Saturday morning, my brother and I came across American Gladiators. I can't even tell you how much fun we had making up commentary. Yes, it's true, dorkiness is hereditary.
It is hard to write about SPIDER-MAN 3 after writing about the flawless THE LIVES OF OTHERS. However, Richard and I made our way to the IMAX screen on Monday night, and had a grand time watching the not so flawless movie. There is a dance number. You might think I am kidding, but I'm not. There is a dance number, and bangs, and eye-liner, and Peter with a bad attitude. There is a lot going on. Not only do you have Harry (Green Goblin, Jr.), but you now have a man made of sand, and Venom (created with intergalactic black ooze). Plus, there is another girl, and Peter and MJ aren't communicating. What we have here is a big old web of mess. (he he....I said web!)
Sometimes you are lucky enough to find a movie that is so moving, so powerful, that it seems to really profoundly affect you, even though it is just a movie. THE LIVES OF OTHERS was a German film that seemed to steal the Foreign Language Oscar from PAN'S LABYRINTH. I went to see this movie on the very strong recommendation of one of my favorite people in the whole wide world, Ellen. This movie is an interesting look at artistic censorship. Set in Germany in the early 80's, a Stasi policeman starts surveillance on a playwright and his actress girlfriend. He is listening in hopes of catching them doing something or saying something against Socialism. As he sits and listens, the policeman finds himself drawn into their lives. He begins to ask himself questions, and suddenly the issues are no longer just black and white. This film is beautiful. It moved me, and I haven't been moved like that in a very long time. I hope that every artist will go and see this, and notice the impact of a suspicious government on artists, and their creativity.
On Friday night, I walked down towards 68th street (enjoying the fabulous spring weather) to take in the new film WAITRESS. Starring Keri Russell, this darling film follows a woman in an unhappy marriage who suddenly finds herself pregnant and stuck. Directed by Adrienne Shelly, this quirky romantic comedy/drama hits all the right notes, and is filled with pie. Yes people, I said pie. Ms. Russell's character works at a small diner that features pie, and she is a great pie-maker. She works through her issues by creating new pies, that are often hilarious. For instance, "I'm pregnant, miserable and alone" pie. Her gorgeous new OB/GYN is played by the yummy Nathan Fillion.
After work last night, I made my way to midtown to check out the new Broadway show, LEGALLY BLONDE. First, I want to congratulate fellow Columbus native, Lindsay Chambers, for being cast as one of the swings of the show. (If you don't know what a swing is, go here.) LEGALLY BLONDE is a fun show. It captures the feel of the film, and has some incredibly funny moments. The show is well cast, and the dancing is insane. I thought that Orfeh was particularly funny as Paulette (the beautician) that Elle befriends, and her romance with the UPS guy (and real-life husband Andy Karl) is both sweet and hilarious. There were several great numbers including "Bend and Snap", and my particular favorite, "Gay or European?" The voices in this show are HUGE! The music is light and fluffy, and works for this production, but are not particularly memorable. In fact, I can only remember the melody of one song, and I think that is only because my roommate has been singing it non-stop for the last week-and-a-half...since he saw the show. As I mentioned before, the dancing/choreography in this show are crazy. Jerry Mitchell does a great job creating fabulous moments. Mr. Mitchell also directed the show, his first one. Overall, I thought it worked, however, there were some moments with an empty stage that I felt didn't work. I almost wish that this show could have been in a smaller theatre, as it sometimes seemed to be lost/overwhelmed by the huge Palace Theatre.
When I saw the fabulous French film THE VALET, they showed a preview for an upcoming summer film called EVENING. This looks like the next THE NOTEBOOK to me. "A dying woman reflects on the time in her youth when she met the love of her life, as her two daughters wrestle with their mother's impending death and their own personal issues." Starring Claire Danes, Toni Collette, Meryl Streep, and Vanessa Redgrave, this looks very sweet. If you want to check out the trailer, go here.
Because Time Warner is grateful that I transferred their service when I moved, they were kind enough to give me three months of free Showtime. This has turned into a DVR orgy. Now, Showtime is not so much about current movies, but seems to have a lot of older movies. Hence, I DVR'd and watched DONNIE DARKO. This movie is brilliant. Weird, but brilliant. The film is about a young guy (the fabulous Jake Gyllenhaal) who has emotional problems. He acquires a new invisible friend, Frank, who is a giant rabbit. The rabbit tells him to do things, and Donnie does them whilst studying about time travel. In his journey, we meet his family, his friends, a possible girlfriend, and a couple of teachers. I don't even know what to say about this movie...it is just bizarre. Dark, compelling, painful, funny, awkward, and sad. Something that I found rather interesting is Drew Barrymore produced the film with her company, Flower Films. This was a nice change of pace from her other projects like NEVER BEEN KISSED.